![]() The idea that the list is stating once and for all, this is it. ![]() It is the definitive nature of the list that always unnerves me. It's the start of something, in the ridiculous but necessary disguise of being definitive. It's not the Complete Book of Anything, it's like the contents page. They're not complete maps of anything, they're the edge of a map that features the entrance to a universe that is so vast and complicated that in the end you have to make your own way through it. And because without them we wouldn't really know where the Gordon Ramsay we were. You also love them because whatever comes top is going to knock you speechless. And whatever comes top is usually going to knock you speechless. Hate them because they're all wrong, they're biased, they're fixed, they miss too much out, they're in the wrong order, they're utterly arbitrary, they try to cage musical beasts that should be allowed to run free in our imaginations without the indignity of being branded with numbers. Of such an undertaking and trumpets the wealth of music contained herein Number 1, celebrated pop writer Paul Morley explains the purpose ![]() The following 50 pages, OMM's outstanding team of critics introduce each It is the most authoritative poll of its kind and over
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